LOS SARA FONTÁ N
The Violin, amplified, looped and passed by dozens of effects, has the talent to thrill through abstraction, without thematic or stylistic references, beyond post-rock, contemporary classical, noise or minimalism.
Not recording albums is a statement for Los Fontán, both to free musical ideas from petrifying (every composition is recomposed on every show) and to escape from the record industry hamster wheel.
Accompanied by Edi Pou (half ZA!) on percussion, Los Sara Fontán concerts are the soundtrack of what one wants to imagine, granting freedom to the viewer to interpret it and feel it in a personal and unique way. Although it seems a paradox, Fontán ensures that she improvises because improvisation forces her to conclude.